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Rob Canning 2023-11-15 14:33:01 +01:00
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# Whistling in the Wind
Whistling in the Wind is an installation combining electronic music with real-time data sonification. The piece takes live and histoic data from environmental monitoring stations as its data inputs. This data influences musical change in real-time within the composition's own generative logic. In this sense it is more of a 'data-guided' generative music composition than a direct sonification of incoming data sonification project.
Whistling in the Wind is an installation combining electronic music with real-time data sonification. The piece takes live and histoic data from environmental monitoring stations as its data inputs which then influences musical change in real-time within the composition's own generative logic. In this sense it is more of a 'data-guided' generative music composition than a direct sonification of incoming data.
The installation can be thought of as similar to wind chimes in that one system (the collection of tuned pipes) is exposed to another (the wind speed and direction), but a little more complex. The first system is the musical composition, described in software, where some parameters are variable and open to external influence while other element are fixed and more deliberatly composed.